Yalkut Yosef
How about the Bais of Uleovdo?
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shin in "Alter Rebbe" script
Both the Shulchan Aruch Harav and the Mishnah Brurah use similar terminology when describing the importance of the shin being "pointy" on the bottom and all three branches of the letter shin meeting at a point or "chad" at the bottom of the letter. There is a strong foundation in Halacha for this and for the bottom of the shin to be flat like a moshav (base) is considered questionable (Pri Megadim) and definitely not Kosher Lechatchillah. It is worse if the moshav is very wide, but it is still questionable if it is lechatchillah if there is a thick noticeable base rather than a chad. Even for Sephardim, who lechatchillah make an angular base, it is still important that the base is indeed on a (significant) angle. If the base is flat, even if all three branches of the shin come out of the base connected , as in the top picture, it is problematic. It is worse in the bottom picture below where the right head/ branch comes out of the right part of the base and the m
The different ways of forming the"Hefsek Parshas Stuma" in tefillin parshiyos.
Following Ari's post, I have cut and pasted an article I wrote for a local publication some time ago on this very issue. I think it sums up this issue and the various shittos. I also suggest Rav Yonason Hershlags kuntres on this topic called "stumah shebestam". The different ways of forming the"Hefsek Parshas Stuma" in tefillin parshiyos. Introduction There is a common misconception that the only difference between the different minhagim (customs) of tefillin parshiyos is the ksav (font) they are written in. For example if a person is Sephardic, the ksav will be "Vellish", a script that is unique to Sephardic Jews; If one is of traditional Ashkenazic and non-Chassidic background, then he would usually get the "Beis Yosef" script; If one is "Chassidic", he would get the "Arizal" script, etc. While this is correct, there are also different opinions and minhagim on how to make the spacing between the parshiyos of th
Alberto -
ReplyDeleteYou incorrectly described this as a teshuva. It is not. It is a peirush on a likut from Rav Ovadya by Rav Ovadia's son.
Also - did you actually read this?
He quotes an array of Sheelos UTeshuvos from both sides debating whether or not the paint (or the oil used in preparing the retzuos) must be min hamutar bficha. Some hold that it must be mutar b'ficha, but then explain why paint specific cases (ie. oil from a tamei fish) are mutar (i.e. the tamei ingredient is botel, etc). Others hold mutar b'ficha only applies to items from which you can tell their origin by looking at them (ie. the Shoel UMaishiv).
Furthermore- he says the same thing that I have been writing and that Rav Friedlander confirmed - milsa yeseira, items not intrinsic to the meleches shomayim, do not need to be mutar b'ficha. This is why some inks with treif ingredients may be mutar b'dieved or m'ikkar hadin mutar.
This section doesn't contribute to the discussion one way or the other.