Writing Ketubot
I was wondering how many sofrim write ketubot on klaf. Further, and more importantly what do you do when you make a mistake?
How about the Bais of Uleovdo?
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Bizarre! Mezuzah found written in כתב העברי הקדום
Does anyone know the story of this "mezuzah"? Pictures if it are circulating, with people saying it was found on someone's house (even though in the picture it looks like it has never been rolled).
Someone else said they saw it for sale in a Judaica shop.
Sounds like a practical joke to me, but there's nothing funny about it.
Someone else said they saw it for sale in a Judaica shop.
Sounds like a practical joke to me, but there's nothing funny about it.
Commercially Viable
This video shows a sofer writing a sefer Torah. This sofer has a good hand, writes at a nice pace, and can ask a decent price. But one can also tell how the sefer Torah industry has commercialised the process, allowing for better productivity.
Note the following:
1) The sofer is writing on a light table, which means he does not have to worry about planning the spacing and can just trace over the letters. This saves a lot of time. This also minimises mistakes and saves time of repairs.
2) The quill is a plastic kulmos with a repository, which means you need to dip it into the ink every few lines instead of every few letters. Also you do not need to sharpen it and make new quills. Both of these save time.
3) The klaf today is more refined and smooth, easier to write on. Not uneven and rough like the old days. I'm sure lots of "mei klaf" is added. This enhances writing speed and quality of writing.
4) Double sirtut. Again this enhances quality and neatness.
5) The tagin / …
Note the following:
1) The sofer is writing on a light table, which means he does not have to worry about planning the spacing and can just trace over the letters. This saves a lot of time. This also minimises mistakes and saves time of repairs.
2) The quill is a plastic kulmos with a repository, which means you need to dip it into the ink every few lines instead of every few letters. Also you do not need to sharpen it and make new quills. Both of these save time.
3) The klaf today is more refined and smooth, easier to write on. Not uneven and rough like the old days. I'm sure lots of "mei klaf" is added. This enhances writing speed and quality of writing.
4) Double sirtut. Again this enhances quality and neatness.
5) The tagin / …
if you make a mistake in the important lines ei names dates amounts, you may correct but you have to write on bottom :on line so and so i made an eraser and wrote this and this -witnesses must sign this as well.
ReplyDeleteBottom line with ksubos is not to make mechikos on names.
ReplyDeleteWell to phrase this a different way here are my curiousities:
ReplyDelete1) Are people Noheig to be more somekh on the printed ketubah
2) Are there always two copies of the ketubah?
3) What about the laws of Shtarim in Choshen Mishpat that says any mechika needs to be initialed by the sofer(While I doubt folks would mind if a sofer's initials are all over their loan agreement, I doubt that they would appreciate it on a Ketubah they want to hang on a wall).
R Shneur Kotler once officiated at a wedding with a Kesuba that was expensive, custom-made, beautiful and elaborate. Discovering a problem in the Ksav, he promptly tuned it over and wrote the entire Kesuba (by heart!) and had the Eidim sign. This way, they could hang it on the wall, because this Klaf now contained the real Kesuba (on the obverse) and it was "suitable for framing and displaying"!
ReplyDeletehow about typing up the ksuba with all the names dates etc, have the mesader kidushin ok it. print it on the center of the page you will be putting the art on, another possibility is you can print it on any paper you want you can make cut outs to make it look unique and paste it into your art piece. the only hidur of writing a ksuba is that you get everything in the same handwriting-printing with names in advance would be a bigger hidur.
ReplyDelete