Cut Out in Mezuza for Shakai.
Why?! Any comments?
How about the Bais of Uleovdo?
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Bizarre! Mezuzah found written in כתב העברי הקדום
Does anyone know the story of this "mezuzah"? Pictures if it are circulating, with people saying it was found on someone's house (even though in the picture it looks like it has never been rolled).
Someone else said they saw it for sale in a Judaica shop.
Sounds like a practical joke to me, but there's nothing funny about it.
Someone else said they saw it for sale in a Judaica shop.
Sounds like a practical joke to me, but there's nothing funny about it.
Commercially Viable
This video shows a sofer writing a sefer Torah. This sofer has a good hand, writes at a nice pace, and can ask a decent price. But one can also tell how the sefer Torah industry has commercialised the process, allowing for better productivity.
Note the following:
1) The sofer is writing on a light table, which means he does not have to worry about planning the spacing and can just trace over the letters. This saves a lot of time. This also minimises mistakes and saves time of repairs.
2) The quill is a plastic kulmos with a repository, which means you need to dip it into the ink every few lines instead of every few letters. Also you do not need to sharpen it and make new quills. Both of these save time.
3) The klaf today is more refined and smooth, easier to write on. Not uneven and rough like the old days. I'm sure lots of "mei klaf" is added. This enhances writing speed and quality of writing.
4) Double sirtut. Again this enhances quality and neatness.
5) The tagin / …
Note the following:
1) The sofer is writing on a light table, which means he does not have to worry about planning the spacing and can just trace over the letters. This saves a lot of time. This also minimises mistakes and saves time of repairs.
2) The quill is a plastic kulmos with a repository, which means you need to dip it into the ink every few lines instead of every few letters. Also you do not need to sharpen it and make new quills. Both of these save time.
3) The klaf today is more refined and smooth, easier to write on. Not uneven and rough like the old days. I'm sure lots of "mei klaf" is added. This enhances writing speed and quality of writing.
4) Double sirtut. Again this enhances quality and neatness.
5) The tagin / …
So you can see it when it's rolled up...
ReplyDeleteWell yes, but why mutilate the Mezuza?
DeleteBecause the cutting doesn't affect the Kashrus of the mezuza and there is a strong minhag to see the shakai. It just doesn't look so nice.
ReplyDeleteI should point out though that if the cutting were to go into the parsha stuma it would present a problem...
This is often done by sfardi mezuzos. The put the shakay further in so it's one of the ways you can still see it after its rolled.
ReplyDeleteThe second way is to fold the right margin. I prefer that method to cutting
I've never heard any discussion or asked Rav Friedlander about folding the right side so I don't know which is better. This is also an issue on high end mezuzahs where they leave a margin of blank klaf for k'dei lagol. Rav Friedlander did suggest that its better to cut the klaf and make a flap and fold it back rather than remove the piece completely. The best eitzah is, if possible, to use a case that doesn't require the klaf to be rolled tightly.
ReplyDelete